All 90 looks
Watch any of them for free. Open a look to see what it is made of.
Showing 77 of 90
- Pinball cel cartoon1970s cel animation: fine outlines, airbrushed volume, deco ornament.
- Ink and newsprintGrey bureaucracy in heavy ink line, with the sky as the only colour.
- Brushstroke paintingDrawn shapes repainted every frame by a brushstroke renderer.
- Painted mythA brushstroke desert ritual, the serpent ring forming in firelight.
- Junkyard collageTorn paper, newsprint and tin, moving in stop motion.
- Cut-out collageA hinged paper puppet plane over photo-collage scenery; giant scissors snip the sky.
- Risograph posterMisregistered pink, teal and yellow inks with halftone grain, and a Warhol triptych.
- WoodcutCarved black lines on cream paper with one red; the block cracks open.
- Crayon and wet paintA child's crayon drawing, then wet paint floods over it. The lollipop tree pours down into a willow.
- 1930s rubber-hose cartoonSepia noodle limbs, film grain and gate weave. The waiter brings a shot; a whole bottle slams down instead.
- Cut-paper shapesFlat scissor-cut stars, hearts, lips and springs slap in on the beat and pile up around him.
- Marker diary comicFelt-tip panels on a lined notebook page that draw themselves in. Streaky fills miss the lines; the camera drifts from panel to panel.
- Neon signBent glass tubes on a brick wall: lit and unlit poses, failing tubes, the drums switch the sign.
- Flash-photo cutouts1980s point-and-shoot snapshots cut out and hinged as paper puppets: harsh flash, red-eye, orange date stamp.
- ClaymationPlasticine aliens in a cardboard med bay, posed on twos: thumbprints, soft studio light, a cryopod.
- Vintage board gamePrinted cardboard from separate ink plates: halftone dots, slight misregistration, worn edges. Turned wooden pawns hop, wobble and dance on the board.
- Banknote engravingFine parallel lines whose width carries the shading, spirograph rosettes and red serials on cream security paper. He swells until the note bends.
- Cross-stitch samplerEvery X is two thread strokes with sheen on even-weave linen. The needle stitches each picture in; a cold blue heart is unpicked and restitched red.
- Old stencil-coloured tarotBlack outlines with flat colour that slips off the lines, on aged card. The camera moves into a card and its picture comes alive in stiff steps.
- Halftone press photosGrainy black-and-white halftone with flash bursts. The shots land as pages of a 1950s picture magazine, then a contact sheet with a red grease-pencil circle.
- Painted film posterBrushy 1950s Italian cinema-poster paint on a wall of pasted bills. A broom pastes up each new sheet; her heart glows through her coat.
- Circus chromolithographGlittery red, blue and gold ink on cream stock: big top, tightrope walker, bunting and a prize wheel, with the words strung up as banners.
- Film-leader countdownScratched grey academy leader with the sweeping wipe. Each number opens on a small scene, and the count runs to eight and a half.
- Medical textbook platesEngraved anatomy plates in an open book on green baize: a heart with a pump valve, the doctor with his stethoscope, a daisy in a specimen jar.
- Tea leavesOverhead on a gingham cloth. The leaves in the cup gather into shapes, a hand turns the cup, and they swirl into the next reading.
- Stained glassLeaded panes with painted figures and lead-line outlines. Each window holds a scene; a watering can grows a flower in the desert pane.
- Silhouette cut-paperLacy black paper puppets in layers against a glowing, tinted sky.
- Coloured paper silhouettesMatte coloured paper cut flat and lit from the front, with soft drop shadows and four colours a frame. People are profile silhouettes in one colour each, jointed like puppets. Here her silhouette fills with night sky and the clouds inside it carry her children's profiles.
- Cut paper with depthA paper diorama filmed by a moving camera: every piece is textured card with a lit cut edge, casting a soft shadow on the layer behind. Scenes change like a pop-up book, folding flat and springing up around the character.
- OscilloscopeGreen vector lines on a lab scope, with afterglow trails and Lissajous collapses.
- Storybook cartoon, painted groundRound outlined characters with simple faces over soft painted backgrounds that have no outlines at all: layered hills, haze and sunlight. The elephant tries to open the gorilla's banana with its trunk.
- Painted paper layersA paper theatre of painted plates: every sky, hill, street and prop is its own sheet of hand-painted, cut or torn paper, and code moves them past each other at their own depths, each sheet casting a soft shadow on the one behind.
- Sculpted shadowbox reliefA deep box of sculpted pastel pieces at dawn, filmed by a camera that slides across it: a sun made of lit windows rises over stepped hills, trees bloom rosette by rosette, a train of beads rolls along piping between two portholes. Every piece is cut in tiers so it reads as rounded clay, and casts a soft shadow on what sits behind it.
- Toon dioramas in circle portalsOne object stays in the middle of the frame for a whole song while small toon-shaded 3D scenes open around it as circles on cream paper and close again; on each chorus they pack together into a planet. The people are moulded-plastic toy figures with one dark outline.
- Kinetic typographyThe lyrics are the set: black screen, one hot accent, terminal prompts, gauges and rubber stamps.
- Navy ink, pencil shadowsHouseOne heavy navy line, flat grainy fills that sit a little off the line, and cast shadows hatched in blue-violet coloured pencil on plain cream paper.
- Kawaii watercolourBoxy characters with kaomoji faces, wobbly marker line over pastel watercolour washes.
- Field-guide illustrationHouseHatched ink on cream paper over wide diagonal stripes. Every line swells and thins like a pen, each outline is a darker shade of its own colour, and the fills carry a soft wash.
- Brushstroke painting, FauvistThe brushstroke renderer in bright cadmiums and cobalt on cream ground.
- Blueprint schematicHousePale linework on navy: maps, dials and brackets that draw themselves in, with magenta for whatever changes. It cuts in against the paper scenes on the beat.
- Rotoscope dreamFaux-rotoscope: fills, shadows and outlines drift apart, walls breathe, each scene a different hand.
- 16-bit pixel artA SNES-era racing game drawn at 320x180 in 46 colours, scaled up with crisp pixels.
- Inked 3D giant on painted platesA 3D model drawn as a hand-inked cel, flat tones from a real light, broken ink lines, dry-brush moss, on hard-edged painted forest plates, cut into shots and held on twos: an overgrown upright piano on four legs wakes and takes a step.
- Engraved cut-outs, after GilliamVictorian engravings drawn in code and hand-tinted, on hinged pieces over airbrushed skies. The boss rises like a moon and his lid flips open.
- Psychedelic pop, after Yellow SubmarineFlat 60s print colours, Art Nouveau line, banded cloud hills and balloon lettering. A convention of clouds.
- 1980s paint-program screensPhone and app screens drawn as early desktop art: stepped pixels, a 216-colour palette with ordered dither, one-pixel outlines on indigo. Here a phone holds a phone that holds the shot.
- Hand-coloured emblem engravingCut-outs from 17th-century emblem engravings, washed in blue and rose: a sun-headed man and a moon-headed woman whose hatched roots knot together under the soil. Angels blow trumpets from clouds while engraved birds fly in to the branches.
- Engraved toy theatreEngraved paper players on a stage hung with red velvet: a troubadour sings beside a wheel of medallions, then the curtains part on a blue sky and trumpeting angels. The figures switch between a few drawn poses like puppets.
- Hazy traced rotoscopeSoft traced figures in washed-out greys: suited men on floating planks roll brochure blue over a dull grey lake. A haze sits over the whole frame and the lines never quite hold still.
- Crisp even-line animationEven outlines, true colour and no haze: a man in a red toque points from his canoe at a cardboard stand-up of a woman on the dock. It drops away and the real woman is standing behind it.
- Drawn surrealist playaFlat cut-out figures set in a 3D desert under a drifting drone camera: a sax player in a purple striped coat cycles past an octopus art car and a long boardroom table where egg-headed suits ride in office chairs. Hard sun, long shadows, cracked mud drawn as polygons.
- Rendered 3D figuresThe same boardroom rebuilt in Blender with lit surfaces, sun shadows and desert haze: egg-headed suits at tape recorders under giant padlocked red lips, while a huge ear on a pole reels out its boom mics.
- 1970s TV newscastA wood-cabinet television in a lamp-lit den. The station's spinning globe ident whites out to the anchor at his desk with a picture box over his shoulder, and the yellow teleprinter strip slides up.
- Smudged charcoalCharcoal figures and hatched walls on grey, rubbed paper. The guitar player talks with his hands to the kid in the striped shirt, and each old pose stays behind as a faint smudge.
- Cel-shaded 3DFlat-shaded Blender scenes with soft outlines in coral, teal, plum and cream. A glowing orb flies down a corridor of rings that sweep past the camera.
- Brushstroke painting, by firelightThe same renderer with a different paint mood for each section of the song.
- Art NouveauFlowing line, arched panels, stained-glass light.
- Watercolour bleedWashes that bleed wet into wet and pool where they dry. The whole 18-second test.
- Art Nouveau cut paperLayered cut paper in teal, plum and gold inside an arched Nouveau border. A peacock fan opens behind a petalled sun as it rises over a paper town, and its light ripples across the water.
- Lyric chain-reaction machineOne ball runs one long hand-drawn machine, and every part is a joke about the line being sung beside it. On the last word the camera pulls back: the whole machine is a ring around one lit window.
- Isometric chart worldA whole verse drawn as one chart: a tiny town cut open on a paper card, its troubles labelled with leader lines, and a graph that follows the song. The picture and the data are the same drawing, and the numbers keep the joke going.
- Night-sky line filmOne unbroken pull-back from a lit window to the whole Earth, drawn in thin glowing lines on navy, with an odometer running, big words slamming in on the chorus and every small move cued to the song.
- Living brush-dash skyA night sky made of thousands of short coloured brush dashes that repaint themselves and swirl around each light. As the lights gather, the paint heats from blue through rose and orange to cream.
- Flat to deep streetA winter tour town drawn in clean ink with two-tone shading reads as a flat poster, then the lens widens while the camera moves in and the street opens into depth. Road cases that stood in a row turn out to run down the middle of the road.
- Bean-head cards in an inked worldFlat cartoon cards with round bean heads, dot eyes and stick legs stand in a painted 3D world with ink lines on every edge. The camera moves through the world while the cards stay flat, like paper puppets on a model set.
- Generated morph between looksTwo drawn-in-code looks with the plane locked in place; a video model morphs one world into the other.
- Retro halftone cartoonA generated character lip-syncing the real vocal over a generated background.
- Engraved tarot cardsThe artist's likeness on illustrated cards, dealt to the beat.
- Rattle and drumFirelit lip-sync close-ups with big type on the beat.
- Every generated shot, back to backAll the AI shots in the cut: walking with the wolfdog under the serpent moon, the desert pull-back, the fire ring, smoke, a neon lip-sync, the canyon-wall painting, scratchboard dunes.
- His own footageReal shots from his day take: the stone bridge, the ram skull, a ghosted guitar.
- Footage continued by AIA real shot of him on the spire, then a generated pull-back that flies the desert and lands on a dune.
- Lip-sync from his real footageHis real frame made to sing the line, veil down, graded to match.
- Generated animation, matchedA smoke serpent rises and rings him, then firelight paints him on the canyon wall.
- ScratchboardThe same dune shot as white-on-black scratchboard etching.
- The Wyrd One, keyedHis veiled character, generated alone on a plain ground so it can be placed into any shot.
- Doodles on real footageCrayon and felt-pen characters living on an artist's real clip: a sleepy sun wakes in the sunset, crows sit on a cloud, a doodle wolf pup trots at his heel, a bird lands on his dog's head. The footage stays untouched.