All 90 looks
Watch any of them for free. Open a look to see what it is made of.
Showing 20 of 90
- Brushstroke paintingDrawn shapes repainted every frame by a brushstroke renderer.
- Tea leavesOverhead on a gingham cloth. The leaves in the cup gather into shapes, a hand turns the cup, and they swirl into the next reading.
- Silhouette cut-paperLacy black paper puppets in layers against a glowing, tinted sky.
- Coloured paper silhouettesMatte coloured paper cut flat and lit from the front, with soft drop shadows and four colours a frame. People are profile silhouettes in one colour each, jointed like puppets. Here her silhouette fills with night sky and the clouds inside it carry her children's profiles.
- Cut paper with depthA paper diorama filmed by a moving camera: every piece is textured card with a lit cut edge, casting a soft shadow on the layer behind. Scenes change like a pop-up book, folding flat and springing up around the character.
- Painted paper layersA paper theatre of painted plates: every sky, hill, street and prop is its own sheet of hand-painted, cut or torn paper, and code moves them past each other at their own depths, each sheet casting a soft shadow on the one behind.
- Sculpted shadowbox reliefA deep box of sculpted pastel pieces at dawn, filmed by a camera that slides across it: a sun made of lit windows rises over stepped hills, trees bloom rosette by rosette, a train of beads rolls along piping between two portholes. Every piece is cut in tiers so it reads as rounded clay, and casts a soft shadow on what sits behind it.
- Rotoscope dreamFaux-rotoscope: fills, shadows and outlines drift apart, walls breathe, each scene a different hand.
- Inked 3D giant on painted platesA 3D model drawn as a hand-inked cel, flat tones from a real light, broken ink lines, dry-brush moss, on hard-edged painted forest plates, cut into shots and held on twos: an overgrown upright piano on four legs wakes and takes a step.
- Flat vector science explainerOne fact made visible on a grainy night gradient. Flat shapes lit with a single highlight and a thin rim, small capital labels on leader lines, and a number that rolls as the thing it measures crosses the frame.
- Hand-coloured emblem engravingCut-outs from 17th-century emblem engravings, washed in blue and rose: a sun-headed man and a moon-headed woman whose hatched roots knot together under the soil. Angels blow trumpets from clouds while engraved birds fly in to the branches.
- Hazy traced rotoscopeSoft traced figures in washed-out greys: suited men on floating planks roll brochure blue over a dull grey lake. A haze sits over the whole frame and the lines never quite hold still.
- Drawn surrealist playaFlat cut-out figures set in a 3D desert under a drifting drone camera: a sax player in a purple striped coat cycles past an octopus art car and a long boardroom table where egg-headed suits ride in office chairs. Hard sun, long shadows, cracked mud drawn as polygons.
- Cel-shaded 3DFlat-shaded Blender scenes with soft outlines in coral, teal, plum and cream. A glowing orb flies down a corridor of rings that sweep past the camera.
- Brushstroke painting, by firelightThe same renderer with a different paint mood for each section of the song.
- Art NouveauFlowing line, arched panels, stained-glass light.
- Watercolour bleedWashes that bleed wet into wet and pool where they dry. The whole 18-second test.
- Night-sky line filmOne unbroken pull-back from a lit window to the whole Earth, drawn in thin glowing lines on navy, with an odometer running, big words slamming in on the chorus and every small move cued to the song.
- Living brush-dash skyA night sky made of thousands of short coloured brush dashes that repaint themselves and swirl around each light. As the lights gather, the paint heats from blue through rose and orange to cream.
- Footage continued by AIA real shot of him on the spire, then a generated pull-back that flies the desert and lands on a dune.